In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, ...
Camp/queer aesthetic meeting German expressionist/Brecht theatrical tradition. Fragmented vignettes threaded by non-linear narrative, but message isn't lost thanks to extremely convincing sight and sound. An homage to great German silent cinema yet accompanied with modern dance and modern classical/free jazz/avant-garde score. This anachronism mirrors the film's juxtaposition of the two eras and their eerie similarities: on queerness perceived as otherness, sickness and mentally ill; on a different kind of revolution; on social conservatism and male gaze are both sides of the same coin; on how strong-man politics and nazism are fermented by these attitudes, leading to an inevitable outcome.
VOSE 720p硬英字,罗萨导演的艺术很耐人寻味,3.9
代入感超强,感觉自己就在故事现场。
反转设计得恰到好处,结局完全出乎我的意料。
安妮塔—恶之舞 Anita - Tänze des Lasters画面质感绝了,每一帧都能截下来当壁纸用。
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